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Los Altos resident Angela McConnell, the center’s executive director, says, “People have known Montalvo as a performing arts venue. But Montalvo is so much more than that. It has evolved into a very important, compelling, provocative place to experience the creative process in multiple disciplines, certainly in the performing arts, but also in the visual arts, the literary arts and the culinary arts.”. Rock the Garden marks the 75th anniversary of the continuous artists residency program. It’s been 10 years since the impressively designed Lucas Artists Residency campus was unveiled, courtesy of Sally and Don Lucas.

But now came a more unsettling possibility, Maybe, Marie thought, it had all been in her mind, Shae sat on the ground outside her class, considering the right words to say as a camera was positioned in front of her, She’d been asked to describe her experience for a video daphne - bow-embellished leather ballerinas pink leather baby girl shoes leather ballet flats for toddlers mary janes by vibys the school planned to show during that week’s chapel services, Shae wore a long-sleeve plaid shirt and her hair in braided pigtails because it was Faith’s “Wilderness Explorer Day” in honor of the Disney movie “Up,” the theme for homecoming..

I ended up sending my son to an outdoor program. He lived in a tent for a year and a half, where he couldn’t plug anything in. You know what, though? Even after a year and a half, he said that the cravings never went away. Stop now, before it steals your life. Thank you for asking for help. I’m proud of you. You may have helped others do the same. DEAR AMY: Regarding “Perplexed,” who had lent money to her nephew (and he had stopped making payments), I have this saying about loans: Unless you are a bank, never loan anyone more money than you would be willing to give them as a gift. And the corollary is: Never lend more money until they paid off the last loan.

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Eight of the Smuin dancers (the company shortened its name from Smuin Ballet earlier this year), who performed it with the troupe’s trademark high energy, attacked its devilishly complex choreography with focus and precision. As one dancer remarked in the lobby afterward, “You have to dance perfectly, because if you make one mistake it’s hard to catch up again.”. In Welch’s exploration of the nature of love four couples arrive, separate, join up with other partners and eventually reunite. The score — two Vivaldi cello concertos (the first in B minor, RV 424, and the second in G minor, RV 416) — inspired Welch’s non-stop footwork, which verges on the frenetic. But his arbitrary embellishments — quirky arms, bobbling heads — were unnecessary distractions. Choreographers write body language, and it must be chosen judiciously since every movement conveys a meaning, intended or not.


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