The local award winner will have an opportunity to advance toward the state, regional and national Youth of the Year titles. The free event includes dinner provided by local restaurants, and will be held at the Basque Cultural Center, 599 Railroad Ave. at Magnolia Avenue, in South San Francisco, which is donating the space for the third year. Kaiser Permanente, Comcast, and South San Francisco Scavenger Co., among others, are also sponsoring the event. New this year is an award for Business of the Year, which will be presented to Torani flavored syrups and sauces.
Like many a music journalist, I’ve cringed hearing the oft-cited observation ballet art, art print, feet sketch, ballerina, pointe shoe, abstract art, figure drawing, wall art, contemporary art, dance gift that “writing about music is like dancing about architecture.” Usually but never definitively credited to actor Martin Mull, it’s a line that came to mind when I got word of KQED’s ambitious new video series “If Cities Could Dance.” Produced by Kelly Whalen and Claudia Escobar, the eight-episode series tackles the Mull equation from a reverse angle, What can movement tell us about urban spaces?, Judging from the first three pieces, which are set in San Francisco, Detroit and New Orleans, dancers can serve as harbingers of change and manifestations of generations-old traditions, They can embody resistance to harassment and oppression and enact rituals that transform public spaces into catwalks or protest zones, More than anything, the videos capture the way that human bodies are active agents on urban streets, refusing to be confined or defined by built environments..
A real-time exercise in witty dialogue, cartoonish violence and aim just bad enough to leave its protagonists bloodied but alive through most of its swift duration, “Free Fire” feels like a left-handed project from a filmmaker whose gifts for staging, framing and pacing are on full display, but feel wasted in a glib, down-and-dirty bagatelle. As the film opens, Chris and Frank — IRA gunrunners played by Cillian Murphy and Michael Smiley — respectively, are sitting in a car with a go-between named Justine (Brie Larson), waiting for Ord (Armie Hammer), a frontman for a South African arms dealer named Vern (Sharlto Copley). Decked out in a suave turtleneck and heaps of facial hair that make him look like an extra from “Anchorman,” Hammer’s Ord dazzles the group with blasé, erudite commentary as he takes them to an abandoned warehouse where the deal is supposed to go down.
The problem is that Facebook is only one site, With every status update, YouTube video, and birthday blog post, Kate’s parents are preventing her from any hope of future anonymity, That poses some obvious challenges for Kate’s future self, It’s hard enough to get through puberty, Why make hundreds of embarrassing, searchable photos ballet art, art print, feet sketch, ballerina, pointe shoe, abstract art, figure drawing, wall art, contemporary art, dance gift freely available to her prospective homecoming dates? If Kate’s mother writes about a negative parenting experience, could that affect her ability to get into a good college? We know that admissions counselors review Facebook profiles and a host of other websites and networks in order to make their decisions..
Tony Orlando. 7:30 p.m. Feb. 18. Fox Theatre, 2215 Broadway, Redwood City. $35-$52.50. 650-369-7770 or tickets.foxrwc.com. Purple Haze (Jimi Hendrix covers) and Kevin Russell’s Cream of Clapton. 8 p.m. Feb. 18. Club Fox, 2209 Broadway, Redwood City. $12. 650-369-7770 or tickets.foxrwc.com. Stan Erhart Band. With Jackie Enx, Michael Warren. 7 p.m. Feb. 19. American Legion, 470 Capistrano Road, Half Moon Bay. No cover. 650-726-7403. Chucho Valdés and The Afro-cuban Messengers. 7 p.m. Feb. 19. Presented by Stanford Lively Arts. Dinkelspiel Auditorium, Stanford University. $38-$42; $10 for Stanford students; 650-725-2787 or livelyarts.stanford.edu.
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